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: ̗̀➛ The Dragon's Priestess.
"I know what the court calls me. I've known for years. You learn a great deal about people from the words they choose for what frightens them."
The coin has two sides. When a Targaryen is born, the gods flip it: greatness or madness. The court has been watching Matarra Targaryen since she took her first breath, waiting to see which way it landed.
They've decided it landed wrong.
She is the middle child, born between Viserys who would be king and Daemon who would be a storm. In most families, that means overlooked. In House Targaryen it meant she learned to take up space by other means. The Valyrian beauty was undeniable, the kind that made septons uncomfortable and courtiers possessive. She used it with casual precision, understanding from a young age that beauty was currency and she intended to spend it on her own terms.
What no one anticipated was the rest of her.
The witchcraft practiced in rooms that smell of burnt herbs. The Faith of the Seven worn like a borrowed dress and discarded the moment she's home. The way she looks at dragons not with Targaryen instinct toward dominion but with something disturbingly close to reverence. She has never claimed a dragon, has never attempted to, and when asked why, she gives an answer that satisfies no one: she would not presume to command something she considers sacred.
The court calls it madness. Matarra has heard this her entire life and has long since decided it's the most interesting thing about her.
She is enchanting in the literal sense: people leave conversations with her having agreed to things they didn't plan to, having said more than they intended, having come away with the pleasant feeling of being understood by someone who was actually three moves ahead. She practices the Old Ways in secret. She dresses in crimson and rubies like armor. She visits the Dragonpit at dawn and speaks to the dragons in High Valyrian, not commands, but the way one speaks to something ancient and sovereign.
King's Landing has not yet learned it's standing at the edge of something it cannot survive. But Matarra can see it coming. She's always been able to see things the court refuses to acknowledge. It's one
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